Rudyard Kipling 55 bed.” H’m! h’m! h’m! The first part only deals with your pictures. Here’s the peroration: ‘For work done without conviction, for power wasted on trivialities, for labor expended with levity for the deliberate purpose of winning the easy applause of a fashion-driven public — “That’s ‘His Last Shot,’ second edition. Go on.” “— “public, there remains but one end, — the oblivion that 1s preceded by toleration and cenotaphed with contempt. From that fate Mr. Heldar has yet to prove himself out of danger.” “Wow — wow — wow — wow — wow!” said Dick, profanely. “It’s a clumsy ending and vile journalese, but it’s quite true. And yet,” — he sprang to his feet and snatched at the manuscript, — “you scarred, debauched, battered old gladiator! you’re sent out when a war begins, to minister to the blind, brutal, British public’s bestial thirst for blood. They have no arenas now, but they must have special correspondents. You're a fat gladiator who comes up through a trapdoor and talks of what he’s seen. You stand on precisely the same level as an energetic bishop, an affable actress, a devastating cyclone, or — mine own sweet self. And you presume to lecture me about my work! Nilghai, if it were worth while I’d caricature you in four papers!” The Nilghai winced. He had not thought of this. “As it is, I shall take this stuff and tear it small — o!” The manuscript fluttered in slips down the dark zall of the staircase. “Go home, Nilghai,” said Dick; “so home to your lonely little bed, and leave me in peace. I am about to turn in till tomorrow.” “Why, it isn’t seven yet!” said Torpenhow, with amazement. “It shall be two in the morning, if I choose,” said Dick, backing to the studio door. “I go to grapple with